On November 7th, I
had the opportunity to get out of quiet and mundane Hamilton to see Fun
Home, which was based on Allison Bechdel’s graphic novel memoir, on
Broadway. Getting out of Hamilton felt amazing. Not to mention, later that day,
I was able to eat real soul food, which warms my heart. I was so relieved to be
off campus, I almost took the R train back to my house. Yet, I realize that if
I disappeared, you, my endearing fan base, would be exceptionally sad. Also I
came to the conclusion I’ve worked too hard to not get this piece of paper this
institution claims is a credible degree. So here I am, entertaining you with my
thoughts of Fun Home.
Overall, Fun
Home was a great musical that had a compelling cast. The play follows
Allison Bechdel, who tries to make sense of her life, sexuality, and
relationship to her father by reflecting on the events she experienced as a
young girl. During her college years, Allison becomes comfortable with her
sexuality and her work as a comic artist. She falls in love with a confident
lesbian named Joan, who helps her to become comfortable with the fact that she
is a lesbian. Even with her newfound confidence, Allison still seeks approval
from her father. This is evident when Allison waits for her father’s response
to her coming out letter only to be met with disappointment when her dad says
he is glad she is “experimenting.” It is clear that often there is a disconnect
between her and her father, yet there are certain moments where they seem one
in the same. Allison wholeheartedly tries to build their relationship and make
her father happy. A scene that stuck with me is when younger Allison was
drawing a picture and her father told her it needed more structure. After her
father has an outburst, Allison pleads with him. Even though she didn’t agree
she did what he wanted anyway, saying, “Daddy, I’m sorry, I want to do it your
way, I like the way you did it.”
Allison’s father,
who is exceptionally hard to please and is manipulative, is troubled and
conflicted throughout the play. There are times when he seems to love his
family, and then, minutes later, he is revolted by everyone and everything.
Allison’s mom and her siblings are often just backdrop in the play; once in
awhile, they will speak and sing, but that’s it. There isn’t much character
development going on for anyone who isn’t Allison or her dad.
As the play
progresses, my disdain for Allison’s father grows, with almost every single
scene. This was disheartening because when the play started I really wanted to
like him. He is inconsiderate, abusive and projects his feelings onto Allison.
This is evident when he tries to force Allison into gender binaries by
explaining if she doesn’t fit them people will gossip about her. Allison points
out that this is ironic, since he is not your typical “rugged” portrayal of a
man.
The audience also
witnesses Allison’s father flirting with underage and younger men, whom he
employs to work in his house and whom he teaches. Allison’s mother even tells
Allison that he has gotten in legal trouble because he served alcohol to a
group of young men to coerce them to have sex with him. After hearing this,
Allison believes that now her and her father are connected through their
homosexuality. However, I find this lens she uses to view her father troubling.
Bruce Bechdel targets young men and provides them with alcohol, so there is the
question: is he gay or is he a pedophile? Those two things are not synonymous.
I wonder if Allison ever grappled with the idea of her father being a pedophile
and just did not mention it in the play because of the way he dies. (Oh, yeah,
he dies in the play, but I won’t tell you how so you can remain surprised.)
All in all, I
really enjoyed it and would give it like 4.5 stars out of 5, which might not
mean much because I’m a twenty-year-old college student and not a theatre
critic. However, I figure if you didn’t value my opinion you wouldn’t read my
awesome blog posts!!!
Although I did not
cry, one of my best friends who prides themselves on avoiding sad human
emotions did cry. So you should probably carry some Kleenex just in case.
I also went to see this play with my Queering Education class last semester and thought it was really good and followed the book pretty closely, which I appreciated. I was also struck by the similarities Alison often felt between her and her father. I think this could have been her way of trying to understand him, despite him never truly revealing himself to her. I wonder if she never thought of him as a phedophile because as you say she didn't want to deal with that, or because she felt that maybe he wasn't truly one, just forced to feel like one because of the way gay men are seen and the limits they have on them in terms of finding partners and such? Not to justify his behavior in any way, just trying to consider a different perspective.
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